In short, Save Me Not focuses on the alternate reality I enter when I create, how this world becomes more bearable than the real world, and how I don’t (hypothetically) want to be saved from being lost in that world forever. It was recorded entirely at my studio in Berlin between late 2019 and mid 2020, and it was done through the process of creating ensemble music by myself. I played and recorded each instrumental line and layered them on top of each other creating ensembles. I’ve spent years playing chamber and orchestral music, and this has directly shaped the way I write and record today. I interact with my own recordings as each player would individually.
Read the full article on self-titledmag.com.